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|---------------------------------------| |---------------------------------------| |------------------------5b-------------| |--------------5h7--5/7-----7-----------| |-----3---5/7-----------------7/5--3----| |-3/5---------------------------------5-| |------------------------------------------10br-10br-----| |------------------------------------8/10------------10~-| |-----------------------7br----5-------------------------| |-------------5h7--5/7-----------7-----------------------| |-----3--5/7-----------------------7---------------------| |-3/5----------------------------------------------------| |------------------------------------8------------------| |-8p5-------------------------8-9-10---10---------------| |------7b--b7--5------5-------------------7b--b7--5-----| |----------------7------7---------------------------7---| |------------------7------7---------------------------7-| |-------------------------------------------------------| |---------------------------------------------| |-8p5----------8p5--------------5-------8/10~-| |-----8p7p5h7------8p7p5h7--5h7---/7p5--------| |---------------------------------------------| |---------------------------------------------| |---------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash