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|--9--10--9--10----4--5--4--5----4--5--4--5------4--5p4----4--5-|
|-10--10-10--10----5--5--5--5----5--5--5--5---5--5--5---5--5--5-|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|--9--10--9--10----4--5--4--5----4--5-----4--5p4----4--5-|
|-10--10-10--10----5--5--5--5----5--5--5--5--5---5--5--5-|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|--9--10--9--10----4--5--4--5----4--5--4--5-|
|-10--10-10--10----5--5--5--5----5--5--5--5-|
|-------------------------------------------|
|-------------------------------------------|
|--------------------------12-|
|-----------------------13----|
|--------7----------12--------|
|-----10---------15-----------|
|-5/7------10/12--------------|
|-----------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash