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|---------------------------------------------------------------| |---------------------------------------------------------------| |--9--10--9--10----4--5--4--5----4--5--4--5------4--5p4----4--5-| |-10--10-10--10----5--5--5--5----5--5--5--5---5--5--5---5--5--5-| |---------------------------------------------------------------| |---------------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--9--10--9--10----4--5--4--5----4--5-----4--5p4----4--5-| |-10--10-10--10----5--5--5--5----5--5--5--5--5---5--5--5-| |--------------------------------------------------------| |--------------------------------------------------------| |-------------------------------------------| |-------------------------------------------| |--9--10--9--10----4--5--4--5----4--5--4--5-| |-10--10-10--10----5--5--5--5----5--5--5--5-| |-------------------------------------------| |-------------------------------------------| |--------------------------12-| |-----------------------13----| |--------7----------12--------| |-----10---------15-----------| |-5/7------10/12--------------| |-----------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash