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|---------------------------------------------------------------| |----------------8-------------------------------8--------------| |----------5b------b7--5----5--7b----------5b------b7--5--------| |----5--7-----7-----------7-----------5--7----7----------7--5/7-| |5/7------------------------------3/7---------------------------| |---------------------------------------------------------------| |----------------------------------------------------| |----------------8-----------------------------------| |-----------5b------b7--5----5--7b-------4--5--4h5p4-| |-----5--7-----7-----------7-----------7-------------| |-5/7------------------------------3/7---------------| |----------------------------------------------------| |----------------------------| |----------------------------| |----------------------------| |-7-5------------------------| |-----5/7--7/5--3--3--5------| |------------------------5p3-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash