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|-----------------------------0--0--0-0-0-0-0-0-| |-----------------------------1--3--3/5-3-1-1/3-| |---4-5-7--5h7p5p4---4--------------------------| |-7----------------5---5-5/7--------------------| |-----------------------------------------------| |-----------------------------------------------| |----------------------------------------------------| |-8/10/8--7------------------------------------------| |-7/9-/7--7--7h9p7------7--------------------5-------| |------------------10-9---9----------------5---5-5h7-| |---------------------------10-----3h5/6/7-----------| |------------------------------3h5-------------------| |------------------7-----7-------10--------12---------14----15b17| |-8-7h8p7---7-8-10---8-8---8-3/8----8-8/10----10-5/12----14------| |---------9------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash