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|---------------------------------------| |---------------------------------------| |-2-4-4h5-5-5-5--4----------2-2/4\2--2~-| |------------------5--5\2-2-------------| |---------------------------------------| |---------------------------------------| |----------------------------------------| |---------5-5-5--3-----------------------| |-2-4-4h5-----------4~--4\1-1--2-0-2/4-2-| |----------------------------------------| |----------------------------------------| |----------------------------------------| |-----------------------------------| |-----------------------------------| |-2-4-4h5-5-5-5--4----------2-2h4-2-| |------------------5--5\2-2---------| |-----------------------------------| |-----------------------------------| |-----------------------------------------| |---------3/5-5-5--3----------------------| |-2-4-4h5------------4~--4\1-1--2-0-2-4-2-| |-----------------------------------------| |-----------------------------------------| |-----------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash