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|------3---------5-----------2--2h3--2---------3---------5---|
|----3----3----5---5------3-----3------3-----3----3----5---5-|
|--4---------6---------2-------------------4---------6-------|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------5------7------------3--------2----|---0-------0---|
|----7----7-----7--------3---3----3---3--|-----3-------3-|
|--7--------------8----4--------2--------|---------------|
|----------------------------------------|---------------|
|----------------------------------------|---------------|
|----------------------------------------|-0-------0-----|
|---0-------0-|
|-----3-------|
|-------------|
|-------------|
|-------------|
|-0-------0---|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash