Premium Content

|--------------------------10--10-10-12-12----9--9h10p9-----| |--7-7-7--5-------12--10~--10----------------10---------10~-| |--7-7-7-----7/9-----------11-----------------9-------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------17----------------------------14-14--14-14-| |-----15-------15--------------15---------15-15--15-15-| |--16----16-------16-----14-------14------14-14--14-14-| |---------------------17----17-------17----------------| |------------------------------------------------------| |------------------------------------------------------| |--9--9/10--10/12-12/15--15--14~-| |-10-10/12--12/14-14/17--17--15~-| |--------------------------------| |--------------------------------| |--------------------------------| |--------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash