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|----------------------------------------------------------------| |-----1---------1----------0------------0----------------3---3---| |-------0---------0----------0------------0---------0------2---2-| |---2-----2---2-----2---0------0------0-----0-----4----0---------| |-3---------3---------------------0h2---------3/5----------------| |---------------------3------------------------------------------| |-0h2-----------0------------------------------------------------| |------3---3------3---3---------1---------1----------0---------0-| |--------2---2------2---2---------0---------0----------0---------| |-----------------------------2-----2---2-----2----0-----0---0---| |---------------------------3---------3--------------------------| |------------------------------------------------3---------3-----| |--------------| |--------------| |--0-----------| |----0----3/4~-| |---------4/5~-| |--------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash