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|--------0-----------0-----------0-----------0-----------1-----|
|------1---1-------1---1-------1---1-------1---1-------1---1---|
|----0-----------2-----------0-----------2-----------2---------|
|--------------------------------------------------------------|
|-3----------2-0---------2-3---------2-0---------0-------------|
|--------------------------------------------------1---------1-|
|-------3-----------0-----------3----------0--------------------|
|-----3---3-------1-----------3---3------1---1-------1-----3----|
|---0-----------0-----------0----------0-----------2-----0------|
|---------------------------------------------------------------|
|-------------3----------------------3---------3----------------|
|-3---------3---------0-1-3--------3-------------1-----3--------|
|------0-----------1-----------3------------------------0------|
|----1---1-------1---1-------3---3---------3----------1---1----|
|--2-----------2-----------0-------------4---4------2-------2--|
|--------------------------------------3-----------------------|
|0---------0--------------------------------------0-----------0|
|------------1---------1-3---------3-4---------5---------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash