Premium Content

|----------------------------------------------| |----------------------------------------------| |----------------------4-5---4-5-5h7p5\4-------| |-5-5h7p5\4--5-7-7/9-9-----7-------------5-5/7-| |----------------------------------------------| |----------------------------------------------| |---------------------------------7-7h8p7----7h8p7-------7---| |-----------------8-----7-7h8p7-----------10-------10-10---8-| |-------------7-----------------9----------------------------| |-------5-7-9---9---9-7--------------------------------------| |-5-7-9------------------------------------------------------| |------------------------------------------------------------| |---------------------------------------| |-----8---8/10--8-7h8p7-----------------| |-7-7---7---------------9-7-------------| |---------------------------10-9-7-9/10-| |---------------------------------------| |---------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash