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|-----------------------------------------------| |----------7/8------------------------7/8--6--8-| |----8--10-----10--7-----------5---8------------| |-10------------------8--5--6-------------------| |-----------------------------------------------| |-----------------------------------------------| |---------------------------------------------------------| |----------7/8--------------------8--9--8--9--11--9p8-----| |----8--10-----10-7-------------8----------------------10-| |-10----------------8--5--6--10---------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |--------8-10-11-10h11p10-8-10-8---------------------------------| |------8-------------------------8-11----8------8-9-11-9h11p9p8--| |----8--------------------------------10---8-10------------------| |-10-------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |-------------------------3--5--3h5p3-----------| |---------3--5----3--5--6--------------6--5h6p5-| |-3--5--6-------6-------------------------------| |-----------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash