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|----------------------------------------------------------------| |----------------------------------------------------------------| |-----------2-3-5-----------2-3-5-----------2-3-5----------------| |-----2-3-5-----------2-3-5-----------2-3-5----------------------| |-3-5-------------3-5-------------3-5----------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-----------------------------------------------------2-3-5------| |-----------0-2-3-----3---------------0-2-3-----2-3-5------------| |-----0-1-3-------4-4---4-------0-1-3-------3-5------------------| |-1-3-----------------------1-3----------------------------------| |-----------------|----------------------------------------------| |-----------------|-6--------------------------------------------| |-----------------|-6--------------------------------------------| |-----------0-2-3-|-6--------------------------------------------| |-----0-1-3-------|-4--------------------------------------------| |-1-3-------------|----------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash