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|----------------------------------------------------| |----------------------------------------------------| |--------4b-----------4b--------------------------4b-| |--2-2---------3-3-----------0---4--4-----4----------| |--0-0---------3-3-----------0---0-----0------3------| |--------------3-3-----------0-----------------------| |-------------------------------------------------| |-------------------------------------------------| |---------4b-----------4b----------------------4b-| |--2-2----------3-3-------------4---4-------------| |--0-0----------3-3---------0---0------0---3------| |---------------3-3---------0---------------------| |------------------------------------| |------------------------------------| |------------------------4b---4b--4b-| |--3-3-3-3-3-3-3-3--0----------------| |--3-3-3-3-3-3-3-3--0----------------| |--3-3-3-3-3-3-3-3--0----------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |-3-3-3-3-3-3-3-3-----2h4--4--4--------0-| |-3-3-3-3-3-3-3-3--0-------------3--3--0-| |-3-3-3-3-3-3-3-3--0---------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash