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|---------------14b16-------13-11-9-11---------------------------|
|------14-16-14------------------------9h11~---------------------|
|--/15-----------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----6-----------------------------------------------------------|
|----6---6---6---6--------6--------------------------------------|
|--8---8---8---8---8--6h8------------6---------------------------|
|----------------------------8-6-6h8-----6/4---------------------|
|----------------------------------------------------------------|
|------------------------------------------------9~--------------|
|--9---9-9--9--------------------------9-11-9-11-----------------|
|--------------6--6--8/10-10\8--6~-------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash