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|--------------------------------------------------------------| |----------------------------------2-3/---7------5-----3-----2-| |---2-4-4/6-6---6-4-6-2-2---2-2h4-----------------------------| |-2----------------------------0---2-4/-7----7\6---6\4---4p2---| |---4-5-5/7-7-7-7-5-7-4-4-4-4---------------------------------| |--------------------------------------------------------------| |--------------------------------------------------| |---------------2-3/---7-----7----5--3------------| |-2-------2-2h4---------------------------4/6\4--2-| |---2-------0---2-4/-7---7-7-----6----4------------| |-----4-0---------------------------------5/7\5--4-| |--------------------------------------------------| |------------------------------------| |------------------------------------| |-2-4/6-6-6-------4-4-6--2-----------| |---------------------0------2-------| |-4-5/7-7---7-7---7-7----4------4--0-| |------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash