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|---------------------------------------------------| |---------------------------------------------------| |---1-1----1-1----1-1----1-1----1-1----1-1----------| |-2-2-2----0-0--2-2-2----0-0--2-2-2----0-0--2-------| |--------2-------------2-------------2--------------| |---------------------------------------------0-2-4-| |----------------------------|----------------------------| |----------------------------|----------------------------| |---2-2----2-2----2-2----2-2-|---1-1----1-1----1-1----1-1-| |---2-2----2-2----2-2----2-2-|-2-2-2----0-0--2-2-2----0-0-| |-0-------------0------------|--------2-------------2-----| |--------0-------------0-----|----------------------------| |----------------------------------------------| |-----------------------------0-------------0--| |-2-2-2----2-2----2-2----2-2--1-1-1----1-1--1--| |-1-1-1----1-1----1-1----1-1--2-2-2----2-2--2--| |-2-------------2--------------------2---------| |--------2-------------2-----------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash