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|----2--3-2--0-----0-2----------0--------------------------------| |--5------------4-------0--2-4-----3-1--0---------------0--------| |-------------------------------------------2-0-----0-2---2-0----| |------------------------------------------------4-------------4-| |---------0-----2--0------------------------0----2--0-------2----| |--3-2--0---------------3--2----0--2----3---------------3--------| |-----0-2--3-2-0-----0-2---------0--------------------------| |-----------------4-------0--2-4----3-1--0------------------| |-------------------------------------------2--0-------0--0-| |-2-----------------------------------------------4-------0-| |------------0----2--0----------------------3-----5--5----2-| |-0-2-3-2--0--------------3--2---0--2----3----------------3-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash