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|---------------------------------------------------------------| |---------------------------------------------------------------| |-10b12-10b12r10-8~-10/12-10p8---8-10--10/12-10p8---8-10--------| |------------------------------X------------------X------8h10-8-| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |------8h10--10b12-10b12--b12r10-8------10/12-10--b12r10-8------| |-8h10-----------------------------8-10--------------------8-10-| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |------------------------------------------------11-| |--------------------------------------13-13\11--11-| |-10/12-10--b12r10-8------8----8-10/12--------------| |--------------------8-10---10----------------------| |---------------------------------------------------| |---------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash