Premium Content

|-----------------0--------------------------------------------0-| |---------0h3-----------3p1---------------3/5--3--0-----0h3------| |------0-------------0------------0-----0------------0-----------| |-0h2---------------------------2-----2--------------------------| |--------------3-------------0------3-----------------------3----| |-----------------------------------------0----------------------| |-----0--2--0h2p0-------------------------0---------------------| |---1--------------3--1p0--3--0--3--0--------3--0---------------| |-0------------------------------------------------0------------| |-------------------------------------------------------4--2--2-| |-----------0-----------------------------------------3---------| |--------------------------------------0------------------------| |---------------------------------------------------------------0-| |-------------------------------------------------------------0---| |----2-----2--0-----------------0---------0-----------------0-----| |----2-----------2-----2-----2-----2----2----2------------4-------| |-0-----------------3-----0-----------3----------2------0---------| |-------0--------------------------------------0---3--0-----------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash