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|-0----0--0-0-0-0--0----0--0-0-0-0-0-----------------------------| |-3/5--5--5-5-5-5--3/5--5--5-5-5-8-10----------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-0----0---0---0---0--0--0-0-0-0---------------------------------| |-3/5--5--12--12--10--8--5-5-3-5---------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-0----0-0--0--0-0-0-0-0-0-0-0-0---------------------------------| |-3/5--5-5--5--7-8-7-5-3-0-0-3-5---0-0-0-0-0-0-0-0---0-0-0-0-0-0-| |----------------------------------2-2---2-2-2-2-2h4-4-4-4-4-4-4-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash