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|------------------------------------------------| |------------------------------------------------| |-2--2--2--9\2--2---2--2--2--9\2--2--------------| |-2--4--2--7\2--2---2--4--2--7\2--2--3-2-0-----0-| |-0--0--0--0----0---0--0--0--0----0--------0h2~--| |----------0-----------------0-------------------| |------------------------------------------------| |------------------------------------------------| |-2--2--2--9\2--2---2--2--2--9\2--2--------------| |-2--4--2--7\2--2---2--4--2--7\2--2--3-2-0-----0-| |-0--0--0--0----0---0--0--0--0----0--------0h2~--| |----------0-----------------0-------------------| |-----------------------------------| |-----------------------------------| |-2--2--2--9\2--2---2--2--2--9\2--2-| |-2--4--2--7\2--2---2--4--2--7\2--2-| |-0--0--0--0----0---0--0--0--0----0-| |----------0-----------------0------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash