|-12--12--10--10--7--7--5--5--3--3----------| |-0---0---0---0---0--0--0--0--0--0----------| |-12--11--10--9---7--6--5--4--3--2----------| |-0---0---0---0---0--0--0--0--0--0--0-3-2-0-| |-------------------------------------------| |-------------------------------------------| |-12--12--10--10--7--7--5--5--3--3--------| |-0---0---0---0---0--0--0--0--0--0--------| |-12--11--10--9---7--6--5--4--3--2--------| |-0---0---0---0---0--0--0--0--0--0--3-2-0-| |-----------------------------------------| |-----------------------------------------| |---------------------------------------| |---------------------------------------| |-3-3-3---4-4-4--4-4-4---5-5-5--5-5-5---| |-0-0-0---0-0-0--0-0-0---0-0-0--0-0-0---| |-5-5-5---5-5-5--5-5-5---5-5-5--5-5-5---| |-------0--------------0--------------0-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash