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|------------------------------------------------5-|
|-7-7--5--3--3-----------------7-7--5--3--7--7-----|
|-7-7--6--4--2--4-----4--------7-7--6--4--7----7---|
|------------0----2h4---2-2h4----------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|-3----------------------------------0----|
|-3--5--3-3--5--3--5----3--3--3-3----3----|
|-4--4--4-4--4--4--4----2--4------4--2--4-|
|---------------------0-------------------|
|-----------------------------------------|
|-----------------------------------------|
|---5--5--5---3--3--3---------0-0-0-0----0-|
|---5--7--5---3--5--3---------3-3-3-3----3-|
|---6--6--6---4--4--4---0-----2-2-2-2h4--2-|
|-0------------------------0---------------|
|------------------------------------------|
|------------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash