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|--------------------------------------12------------------------|
|------------------------------------------------12--------------|
|-----------------7~------9-11--11b13------11b13----13r11p9------|
|-----------------6~-9h11------------------------------------11~-|
|-----------------7~---------------------------------------------|
|-0-3-ha2b3r2~p0-------------------------------------------------|
|----------------------------------|
|----------------------------------|
|----------------9~----------------|
|-pm9-pm9--9h11------pm9-pm9--9h11-|
|----------------------------------|
|----------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-9-9-9-9\8--8-8-8\6--6-6-6\4--4-4-4\2--2-2-2\1--1-------|
|---------------------------------------------------2----|
|------------------------------------------------------0-|
|--------------------------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash