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|-----------5/6--6-6--5/6--6-6--5/6--6-6----------------|
|------6-8--5/6--6-6--5/6--6-6--5/6--6-6--9-8-6---------|
|-6h7--------------------------------------------6h7----|
|-----------------------------------------------------8-|
|-------------------------------------------------------|
|-------------------------------------------------------|
|-------------------------------------------|
|------------------------------6-8-6--------|
|-------------------------3/7--7-7-7-5\3----|
|-8--8-8--8--8-8--8--8-8------------------5-|
|-8--8-8--8--8-8--8--8-8--------------------|
|-------------------------------------------|
|-------------------------------------------6-|------|
|-------6--------6--------6--------6--------6-|------|
|-8b10-----8b10-----8b10-----8b10-----8b10----|-(2x)-|
|---------------------------------------------|------|
|---------------------------------------------|------|
|---------------------------------------------|------|
|------6-------8-6----------------6------------------------------|
|--------9-8-6-----9-8-6--------6---9-8-6-------6-------6--------|
|-8b10--------------------8-6h7------------8b10----8b10---8-6----|
|--------------------------------------------------------------8~|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash