Sally Goodin Tablatura

	  I have TABbed the melody as if it were played in G. The accompaniment 
is in A, though, so you'll have to capo at the second fret to make the 
melody work with the accompaniment. It's in 2/4. So each "|" above the 
staff represents an eighth note. 
 
 
Sally Goodin (traditional) 
arr. Jim Wood, TAB by Bo Parker [email protected] 
 
Melody:  
(Don't worry about the chord symbols - fingerings are given below. 
D#o7 means D# diminished 7th.) 
 
  A       A9/C#     D       D#o7      A       A#o7      Bm7     E7 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----------------|-----------------|-----------------| 
|---0---0---------|---0-------------|---0---0---------|-----------------| 
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| 
|-----------------|---------2-------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
| 
  A       A9/C#     D       D#o7      E7      F#m       E7/G#   A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----------------|-----------------|-----------------| 
|---0---0---------|---0-------------|---0---0---------|-----------------| 
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| 
|-----------------|---------2-------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A7/G      D/F#    Dm/F      A/E     D#o7      E7/D    E7/B 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|---3-0-----------|---3-0-----------|-----------------| 
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| 
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| 
|-----------------|-----------------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A9/C#     D       D#o7      E7      E7/B      E7/G#       A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|---3-0-----------|---3-0-----------|-----------------| 
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| 
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| 
|-----------------|-----------------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
 
OK - now the accompaniment. Note the nice walking bass lines. The 
whole thing is done bass-strum, bass-strum, etc. 
 
  A       A9/C#     D       D#o7      A       A#o7      Bm7     E7 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----2-------2---|-----------------|-----2-------0---| 
|-----2-------5---|-----3-------1---|-----2-------2---|-----3-------0---| 
|-----2-------4---|-----2-------2---|-----2-------0---|-----2-------1---| 
|-----2-------5---|-0-------1-------|-----2-------2---|----(0)------0---| 
|-0-------4-------|-----------------|-0-------1-------|-2-----------2---| 
|-----------------|-----------------|-----------------|---------0-------| 
 
  A       A9/C#     D       D#o7      E7      F#m       E7/G#   A  
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----2-------2---|-----3-------5---|-----7-------5---| 
|-----2-------5---|-----3-------1---|-----3-------5---|-----5-------5---| 
|-----2-------4---|-----2-------2---|-----4-------6---|-----7-------6---| 
|-----2-------5---|-0-------1-------|-2-------4-------|-6-------7-------| 
|-0-------4-------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A7/G      D/F#    Dm/F      A/E     D#o7      E7/D    E7/B 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----5-------5---|-----------------|-----------------|-------------0---| 
|-----5-------5---|-----7-------6---|-----5-------7---|-----5-------0---| 
|-----6-------6---|-----7-------7---|-----6-------5---|-----4-------1---| 
|-7-------5-------|-----7-------7---|-----7-------7---|-----6-------0---| 
|-----------------|-9-------8-------|-7-------6-------|-5-------2-------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A9/C#     D       D#o7      E7      E7/B      E7/G#   A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----2-------2---|-----------------|-----------------| 
|-----2-------5---|-----3-------1---|-----5-------5---|-----3-------2---| 
|-----2-------4---|-----2-------2---|-----7-------7---|-----4-------2---| 
|-----2-------5---|-0-------1-------|-----6-------6---|-----2-------2---| 
|-0-------4-------|-----------------|-7---------------|---------0-------| 
|-----------------|-----------------|---------7-------|-4---------------| 
 
 
Enjoy! 
 
See ya 
 
-Bo Parker 
[email protected] 
 
I do not speak for my employer, whoever that is. 
 
``Squid eating dough in a polyethylene bag is fast & bulbous.'' 
``Got me?''