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|----3-----------3-------------3-3-3-3--------------------------| |----------1-----------1--1----1-1-1-1--------------------------| |------0h2-2-----------2--2----2-2-2-2--------------------------| |--3---------------0h2----2----2-2-2-2--------------------------| |-------------3-----------0----0-0-0-0--2-2/5-2-----------------| |-----------------------------------------------3---------------| |----3-----------3-----------3-3-3-3---3-3-3-3------------------| |----------1-----------1--1--1-1-1-1---3-3-3-3------------------| |------0h2-2-----------------2-2-2-2---0-0-0-0------------------| |--3---------------0h2-------2-2-2-2---0-0-0-0------------------| |-------------3--------------0-0-0-0---2-2-2-2------------------| |---------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash