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|------0-----0-----0-----0---0---0-------------------------------|
|----0-----0-----0-----0-----------------------------------------|
|----------------------------------------------------------------|
|--5-----5-----5-----5-----5---5---------------------------------|
|----------------------------------------------------------------|
|------------------------------------------------0---------------|
|-----1-----1-----1-----1---1--------------3-3/5---3-------------|
|---0-----0-----0-----0------------0---0---2---------0-----------|
|--------------------------------2---2---0-0---------------------|
|-3-----3-----3-----3-----3--------------------------------------|
|------------------------------0---------------------------------|
|-3--3--3--3--3--3--3--3--3--3--3--3-----------------------------|
|-3--3--3--3--3--3--3--3--3--3--3--3-----------------------------|
|-0--0--0--0--0--0--0--0--0--0--0--0-----------------------------|
|-0--0--0--0--0--0--0--0--0--0--0--0-----------------------------|
|-x--x--x--x--x--x--x--x--x--x--2--2-----------------------------|
|-3--3--3--3--3--3--3--3--3--3--3--3-----------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash