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|----------------------------------------------------------------|
|-------------7----------------3---------------7-----------|
|------------------0------0---------0--------5------7------|
|--------7-----------4------4------4---------------------7-|
|-0h2-----------------2------3-----------------------------------|
|-----0-----------------------------------0----------------------|
|----------------------------------------------------------|
|-------------3----------------7-------------------3----|
|------0--------0--------------------7------0---------0-|
|----4------4-----4-------7---------------4------4------|
|--2------3--------------------------------2------3--------|
|---------------------0------------------------------------|
|-------------------------|
|--8--7-------------------|
|--9--7---9--7--4/5--4/5~-|
|--------10--9--5/7--6/7~-|
|-------------------------|
|-------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash