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|----------------------------------------------------------| |------------8b-8-7-8--------7--8--10--10/12---------------| |\4-5-7---------------5~-7/9------------------16p14-12-14~-| |-------5/7~-----------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |--------------------------------19----17b-17b--15-17-----| |-------------10-------------/15----15----------------15~-| |----------11----12br-12-12~------------------------------| |-------12------------------------------------------------| |----12---------------------------------------------------| |-10------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-----------------------------------------12-14-16---14-16-17-| |---------------------10-12-14---12-14-15---------------------| |-8-10-12---10-12-14------------------------------------------| |---------------------19b~-| |-----------15-17-19-------| |-14-16-17-----------------| |--------------------------| |--------------------------| |--------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash