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|--------------------------------------------------------------| |----2--2---2---2--2---2--------2--2---2----2--2---2-----------| |----2--2---2---2--2---2--------4--4---4----4--4---4-----------| |----2--2---2---2--2---2--------4--4---4----4--4---4-----------| |--0------0---0------0--------2------2----2------2-------------| |--------------------------------------------------------------| |--------------------------------2--2---2----------------------| |----0--0---0---0--0---0---------3--3---3-----0--0---0---------| |----1--1---1---1--1---1---------2--2---2-----1--1---1---------| |----2--2---2---2--2---2-------0------0-------2--2---2---------| |--------------------------------------------------------------| |--0------0---0------0----------------------0------0-----------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash