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|-13-13-------------------13--15--13--15b--13--13----------|
|-------13-13h15--15--15----------------------------15--13-|
|----------------------------------------------------------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|-------------------------------------------------------------|
|--15--13--15--13---11b13--11b13---11b13--11b13--11b13--11b13-|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|----------------------------------------------------------------|
|-11b13r11---------11b13--11b13--11b13-11b13--11-10--11p10-------|
|-----------10~----------------------------------------------10~-|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|-----------------------|
|-----------------------|
|-----------------------|
|--8h10--8----8h10------|
|--------------------8--|
|-----------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash