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|-8\---1---1/3-3/4----4/6---6-6/8------------------------------|
|--------------------------------------------------------------|
|-----------9----11---13---16----------------------------------|
|-9----11---12b--14b--16b-------16b-16--14---------------------|
|-11b--13b-----------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-13--13-13--13--13-13--13--13-13------------------------------|
|-16b--------16b--------16b-------16b-14-----------------------|
|----------------------------------------15--------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|---------------9------------9-9-9-9-9-9-----------------------|
|-14-16-14-----------------9-------------9---------9-----------|
|-----------------11b-11-------------------10--11--------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|----14---16b-16-14-16b-16-------------------------------------|
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h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash