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|--------------------------------------------------------------| |---------------5------------7\9--7--5--4--------4-------------| |---------------5-----------------9--5--5----5-----------------| |-------------------6--------7\9--8--6--4------4---------------| |-2-----------------7---------------------6--------------------| |--------------------------------------------------------------| |---0-2-4-5-------5--------------------------------------------| |--6\7--5--4--2-------2----9--------9--------------------------| |--8\9--7--5--2---2-------10---10------------------------------| |--8\9--6--4--2-2----------9-9---------------------------------| |-------------4-----4-----11-----11----------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------0-----0-----0-----------------------------------------| |-1--0h2---0h2---0h2-------------------------------------------| |-2------------------------------------------------------------| |-2---------------------2--------------------------------------| |-----------------------0--------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash