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|----------------------------------------------------------------|
|--------------10--10-----10-------------------------------------|
|-------9-9h11-----9h11---9---9----9----7---7---7----------------|
|--9h11---9-------------------9h11-11---7h9-7h9-7----------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|-----------------------------------------3--0-------------------|
|-----------------2--2--2--2--2--2--2--2--2--2--2----------------|
|--7--7---7-------2--2--2--2--2--2--2--2--2--2--2----------------|
|--7--7h9-7--7----0--0--0--0--0--0--0--0--0--0--0----------------|
|------------7h9-------------------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash