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|--------10-11/14-12-10--14-12-10--------------12-12-------|
|--10h12----12/15-14-12--15-14-12--14----14----------14----|
|-------------------------------------14----------------14-|
|-------------------------------------------14-------------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|-10-----10-----14-14--12--10---7---7----10-10--7-|
|-----12----12--15-15--14--12-----8---8--12-12--8-|
|-------------------------------------------------|
|-------------------------------------------------|
|-------------------------------------------------|
|-------------------------------------------------|
|--14--12-10--14--12-----------12----------10--------10-|
|--15--14-12--15--14--14-------14--14------12----12--12-|
|------------------------14-----------14------12--------|
|---------------------------14--------------------------|
|-------------------------------------------------------|
|-------------------------------------------------------|
|-7------14--12--10-|
|-8---8--15--14--12-|
|---7---------------|
|-------------------|
|-------------------|
|-------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash