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|-14--14-12-----14-14--12----------------12-12---------| |-----------15-------------15-14-14--------------14----| |-----------------------------------14--------------14-| |--------------------------------------14--------------| |------------------------------------------------------| |------------------------------------------------------| |-10-10-10--14-14--12--10--7---7----10-10--7-| |-12-12-12--15-15--14--12----8---8--12-12--8-| |--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |-14-14--------15-17-15-14--17-17-------2\1-2\1--17-| |-------15-----17-19-17-15--------17--------------| |----------14------------------------18-----------| |-------------------------------------------------| |-------------------------------------------------| |-------------------------------------------------| |--14----14----14--17--14---10-7-10---| |-----15----------------------------8-| |-----------16------------------------| |-------------------------------------| |-------------------------------------| |-------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash