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|-------12--------------14-------------12--------------14--------| |----------13--------------15-------------13--------------15-----| |-12/14-------14~-14/16-------16-12/14-------14~-14/16-------16--| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------12--------------14-------------12------------------------| |----------13--------------15-------------13---------------------| |-12/14-------14~-14/16-------16-12/14-------14~-----------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--------12-12-13-13-13-13/15-15-15---4-5-4----------------------| |-12h14--12-12-14-14-14-14/16-16-16---------5--------------------| |-12h14---------------------------------------5-2----------------| |-------------------------------------------------3~-------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash