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|-10b12~--10--8p7--8b10---7b9r7--5--7--5-| |----------------------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |-------5------------------------------------------------------| |-/5-------5--8--8b10~---8b10--8--6--5~------------------------| |----5-----------------------------------7b9r7-5-----5--7b9----| |-------------------------------------------------7----------7-| |--------------------------------------------------------------| |--------------------------------------------------------------| |-12--15--15b17~--15b17--13--12----------5--7b8r7--5--------| |--------------------------------15--/5---------------5-----| |--------------------------------------------------------5~-| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |------------8b10r8---------10b12r10--10b12--10--8------| |------8b10~---------8--20--------------------------10~-| |-5h7---------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash