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|----------------------------------------------------------------|
|----------------------------------------------------------------|
|-4--4--4--4--2-----------------4--4--9--9--2--------------------|
|-4--4--2--2--2----4/6-4/6-4-2--4--4--9--9--2-------2-4-4/6-4----|
|-2--2--4--4--0-----------------2--2--7--7--0----2---------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|-4--4--4--4--2-----------------4--4--9--9--2--------------------|
|-4--4--2--2--2----4/6-4/6-4-2--4--4--9--9--2--------------------|
|-2--2--4--4--0-----------------2--2--7--7--0----/4-7------------|
|-----------------------------------------------------7-5--------|
|-------------------------------------0--------------------------|
|-------------------------------------0--------------------------|
|-4--4--4--4--2-----------------4-----2--------------------------|
|-4--4--2--2--2----4/6-4/6-4-2--4-----2--------------------------|
|-2--2--4--4--0-----------------6-----0--------------------------|
|----------------------------------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash