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|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-8-8----------------------------------------------------------|
|-8-8--/6-------3-5-6--6-------3----6-------3-5-6--8-------5---|
|-6-6-----3-4-6----------3-4-6---6----3-4-6----------5-6-8---8-|
|-----------------------------------------------------------|
|-----------------------------------------------------------|
|----8-8-------------------6~----8-8----------3-------------|
|-8--8-8--8--8p6-8-8p6--------8--8-8--6-------3-/5p3--------|
|-8--6-6--8------------8-4----8--6-6--6-------1------5p3--3-|
|-6-------6-------------------6-------4--3-1~-------------1-|
|-------------------------------|
|-------------------------------|
|-3-----------------------------|
|-3-----3h5p3---------3-------3-|
|-1--/5-------5---3---1---3---1-|
|-----------------1-------1-----|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash