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|----------------------------------------------------------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|--2-2-2-2-2-------------------2-2-2-2-2----------------9~-|
|--0-0-0-0-0--3/7p6h7-ha8~-----0-0-0-0-0--3/7p6h7-ha8p7----|
|--------------------------12-----------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-2-2-2-2-2-------------------2-2-2-2-2-------------2--------2|
|-0-0-0-0-0--3/7p6h7-ha8~-----0-0-0-0-0--3/7-6-ha7--0--2--3--0|
|-------------------------12--------------------------0--1---|
|----------------------------------|
|----------------------------------|
|----------------------------------|
|-------2-2--------2-2-------------|
|-2--3--0-0--2--3--0-0--2--3--4-4--|
|-0--1-------0--1-------0--1--2-2/-|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash