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|--------------------------------------------------------|
|--5-----------------------------------------------------|
|--7b-5b---5b----------------5-5------------5b-----------|
|--------7-------------5h7-5-----7-5h7-5h7-----7---------|
|--------------3-2-0-------------------------------3-2-0-|
|--------------------------------------------------------|
|-------------------------------------|
|--5----------5-----------------------|
|--7b-7p5-7p5-7b-7-5-7-5-7-5----------|
|----------------------------7--------|
|-------------------------------3-2-0-|
|-------------------------------------|
|---------------------------------------|
|---------------------------------------|
|-5-5-5-5-----------5-5-5-5-5-----------|
|---------7-5-7-5-7-----------7-5-7-5-7-|
|---------------------------------------|
|---------------------------------------|
|-----------------------------|
|-----------------------------|
|---------5-5-5-5-5-----------|
|-----5h7-----------7-5-7-5-7-|
|-5h7-------------------------|
|-----------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash