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|--------------------------------------------------------------| |---------3--------------3------------0h1---0-1----------------| |-----0-----0--------0-----0-------------------------0-----0---| |---0---------0----0---------0------2--------------2---0h2----0| |-------------------------------0---------0-----0--------------| |-3-----3--------2-----2---------------------------------------| |--------------------------------------------------------------| |-----3-------3------3----------------0h1---0------------------| |---------0--------------2---2----------------------0-----0----| |---0-------0------0-------0-------2----------2---2---0h2------| |--------------------------------0--------0-----0--------------| |-3-----3--------2-----2---------------------------------------| |------3----------3----------------3---------------------------| |--------1------0---0------------------------------------------| |----0-----0----------0------0---0-----------------------------| |--------------------------2---2-------------------------------| |-3-----------2----------0-------------------------------------| |--------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash