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|--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |--------2--------------4--------------------| |-0--3h4---4--0--2--4/5---5-2---------2------| |------------------------------0--3h4---4--0-| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |--------2----------2----------2----------4----------4-----| |-0--3h4---4-0--3h4---4-0--3h4---4-2--4/5---5-2--4/5---5---| |--------------------------------------------------------0-| |--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |---------------------------2----------2-----| |-----2---0------2---0--3h4---4-0--3h4-----0-| |-3h4---4----3h4---4---------------------0---|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash