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|--12------10-9----9-10-12-10-9-----10-9----10-9----------| |---------------12-----------------------12------10\8-8---| |---------------------------------------------------------| |---------------------------------------------------------| |-----0------------0------------0-----------0-------------| |-0-----0---------------------0---0---------------------0-| |------7--10--7-9-----------7--9----7------------| |-----------------10--8----------10---8----------| |---------------------------------------9--9-7-9-| |------------------------------------------------| |-0------0--------------0-----0---------------0--| |---0----------------0----0-------------0--------| |------------7-----------------------------------------------| |---------8----8-10-7------------------7-8-10---8p7----------| |---9-7-9-------------9-9-7-9----9-7-9--------------9--7-----| |------------------------------------------------------------| |------0-------------------0--------0---------0----------0---| |-0----------0--------0--------0-----------0----------0----0-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash