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|-2-2-x-2-x-2-2-------2-x-2-x-2-2-------2-x-2-x-2-2--------------| |-3-3-x-3-x-3-3-------3-x-3-x-3-3-------3-x-3-x-3-3--------------| |-4-4-x-4-x-4-4-------4-x-4-x-4-4-------4-x-4-x-4-4--------------| |-4-4-x-4-x-4-4-------4-x-4-x-4-4-------4-x-4-x-4-4--------------| |-2-2-x-2-x-2-2-0-1-2-2-x-2-x-2-2-0-1-2-2-x-2-x-2-2-0-1-2--------| |----------------------------------------------------------------| |-2-x-2-x-2-2-2-x-x----------------------------------------------| |-3-x-3-x-3-3-3-x-x----------------------------------------------| |-4-x-4-x-4-4-4-x-x----------------------------------------------| |-4-x-4-x-4-4-4-x-x----------------------------------------------| |-2-x-2-x-2-2-2-x-x----------------------------------------------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash