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|--------------8-8-8------8--------------------| |--9--9--9--9--9-9-9--9---9--9---11---8~-------| |--10-10-10-10--------10-----10--12---8~-------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |------------6-6-6---6----4-------------------------------------| |8-8-8-8-8-8-8-8-8-8-8-8--6--6~------9--9--9--9-----8-----6----4| |8-8-8-8-8-8-------8---8-----6~-6/10--10-10-10--5/8---4/6--3/5--| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------| |---------------| |-5-------------| |-6-10-8--6-5-6-| |---11-10-8-6-8-| |---------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash