Premium Content

|--------------------------------------------------------------| |--------------------------------------------------------------| |-4-4--6-6--8-8--3-3--4-4--6-6--8-8--3-3-3--4-4--6-6--8-8------| |-x-x--x-x--x-x--x-x--x-x--x-x--x-x--x-x-x--x-x--x-x--x-x------| |-2-2--4-4--6-6--1-1--2-2--4-4--6-6--1-1-1--2-2--4-4--6-6------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-4-4-4-4-4-4---4-4--6-6--8-8----------------------------------| |-x-x-x-x-x-x---x-x--x-x--x-x----------------------------------| |-2-2-2-2-2-2---2-2--4-4--6-6----------------------------------| |--------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash