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|-4-4--6-6--8-8--3-3--4-4--6-6--8-8--3-3-3--4-4--6-6--8-8------|
|-x-x--x-x--x-x--x-x--x-x--x-x--x-x--x-x-x--x-x--x-x--x-x------|
|-2-2--4-4--6-6--1-1--2-2--4-4--6-6--1-1-1--2-2--4-4--6-6------|
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|-4-4-4-4-4-4---4-4--6-6--8-8----------------------------------|
|-x-x-x-x-x-x---x-x--x-x--x-x----------------------------------|
|-2-2-2-2-2-2---2-2--4-4--6-6----------------------------------|
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h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash